Raking in a whopping $365 million at the worldwide box office, The Nun is officially the highest grossing installment in The Conjuring franchise. By extension, that also makes it one of the most successful horror movies ever made. It was therefore a great privilege to speak with Corin Hardy, the movie’s overwhelmingly passionate and very articulate director.
This Article was Originally Published at Flickering Myth on 30th December 2018.
About a week ago, I wrote an article ranking the Worst Action Sequences of 2018 and the reception to it was contentious to say the least. A few readers apparently emerged from the piece under the impression that I don’t like ‘’fun’’, or that I always go to movies exclusively to seek out profound themes and Kubrickian subtleties. Of course, anyone who knows me will attest that this couldn’t be further from the truth. I am an action junkie through-and-through, raised on a healthy diet of Shane Black, James Cameron and Steven Spielberg films.
With the imminent arrival of January 1st, it’s worth reflecting on all the different ways that we, as a society, celebrate the New Year. Some usher in the commencement of a fresh calendar by participating in lively social events and extravagant parties. Others indulge in more intimate traditions with their loved ones. Hell, a select few of us even use the occasion to mark new beginnings, resolving to better ourselves, or seizing the opportunity to propose, move to another country or… whatever.
This was originally published at Metro on 22nd September 2018.
Conventional wisdom would have us believe that The Simpsons was a bonafide classic from the moment that it aired its premier episode. According to this popular narrative, everything that we love about Matt Groening’s seminal creation was in place from minute one: including the iconic characters; the witty writing; the ingenious scenarios and of course, the edgy humour. In fact, the general consensus seems to deny that there were any teething problems whatsoever. Instead, fans posit that it was only later on – after the property had been milked for all its work- that things began to fall apart.
This was originally published at Metro on 26th July 2018.
It can be a touch disheartening to discover that a show you previously enjoyed has, in one way or another, gone off the rails. We’ve all experienced this letdown before: whether it was because a promising sitcom lost its edge (Community); an enticing drama grew too knotty and convoluted to follow (Heroes); or a good miniseries abandoned its integrity for the sake of a hasty sequel (True Detective).