I really do love that Stranger Things has gone down so well with such a wide audience. I can barely check in on twitter or Facebook without seeing someone recommending it or sharing a link to its fantastic soundtrack. The show ticked so many of my own personal boxes (Monsters! Mystery! Superpowers! The 1980s! Poltergeist references!) but I’m pleasantly surprised to see that everyone else is connecting so strongly to it as well. Continue reading
This was originally published at The Edge SUSU on June 14th.
Episode 8 of any Game of Thrones season can often feel like an hour-long build up to the awesomeness that is Episode 9. Still, after last year’s standout arrived early, in the form of ‘Hardhome’, it felt like HBO had decided to surprise audiences and shake up their signature dramatic structure. There was subsequently no reason to believe that this year’s eighth episode couldn’t be just as exciting and eventful as next week’s ‘Battle of the Bastards’ promises to be. Alas, ‘No One’ is actually one of the weaker instalments of this season. Which is honestly fine, because even the lesser episodes of Game of Thrones are well above average. ‘No One’ might not contain any truly shocking narrative twists, or much in the way of spectacle heavy action, but it’s still a solid piece of television, bolstered by great performances and subtler, character driven scenes.
This was originally published at The Edge SUSU on 7th July.
By now it’s been almost universally accepted that True Detective’s sophomore season has struggled to step out of its predecessor’s shadow. Which is fine, after all those are some pretty big shoes to fill. Nevertheless it can’t be ignored that season 2 has had some teething problems, even when taken on its own merit. The pacing has at times been tortuously slow, the monologues have ranged from pretty good to downright abysmal, and the central storyline has failed to really grab in the way that it needs to. Continue reading
This was originally published at The Edge SUSU on April 14th 2015.
In the space of just a few episodes, Daredevil has gone from promising to downright gripping. Taking notes from all the best that TV has to offer the show has implemented complex, slow-burn plot-lines filled with double-crossings, manipulations and corruption. Continue reading
This was originally published at The Edge SUSU on April 10th.
Last time audiences saw Daredevil, they didn’t exactly part on the best of terms with him. It wasn’t us, it was definitely him. Bouncing around like a demented, CGI enabled frog, to a “worst of noughties grunge” playlist, the 2003 film didn’t really leave viewers hungry for a sequel. The character ended up being reduced to the most generic and basic archetype imaginable and the film reeked of everything that was wrong with early 2000s superhero films. Fast-forward to 2015 and superheroes are something of a big deal. And why shouldn’t they be? Because they’ve been done right. But it’s no secret that Marvel studios are running out of their better known properties. Hell, they’re at the stage now where they’re having to make films about a talking raccoon and damn them, they even pulled that off well. With that in mind, it shouldn’t come as a surprise that they’ve finally come around to resurrecting Daredevil, albeit on the small screen this time. Continue reading