This article was originally published at Flickering Myth on December 14th.
In Absentia Luci, Tenebrae Vincunt – In the Absence of Light, Darkness Prevails.
Likewise, in the absence of competence, asinine garbage will invariably triumph. Which means that for all the recent advancements in cinematic technique and film-making technology, you can always count on some hack to drop the ball.
Make no mistake, professional ineptitude will never go out of fashion. Which brings us nicely to the second (and much angrier) segment of our review of 2017’s movie set pieces. In the last part, I was uncharacteristically positive and complimentary, so in an effort to restore the natural order, here are the Worst Action Sequences of the year.
This was originally published at Flickering Myth on December 9th 2017.
It’s that time again. That’s right, it’s time for arbitrary lists that subjectively rank the best/worst things of the year! This one is about 2017’s decent catalogue of cinematic action scenes, which means there’s likely a lot of omissions to piss you off.
With that in mind, remember to post your baffling vitriol and inexplicable anger in the comments.
This was originally published at Flickering Myth on 3rd July 2017.
Star of the upcoming high concept sci-fi, The Jurassic Games, Katie Burgess is a promising new talent in the world of genre film-making, one who is definitely worth keeping an eye on. You can catch her now in this year’s horror thriller Gremlin, which tells the story of a family who are terrorised by an ancient creature residing within a cursed box.
I recently had the pleasure of asking Katie a few questions about her upcoming projects, as well as her experience working on Gremlin.
This was originally published on Flickering Myth on 25th June 2017.
When an estranged family member delivers a mysterious box to his house, Adam Thatcher initially thinks nothing of it. However, it soon becomes apparent that the metallic container actually has a clock engraved on it, one that begins ticking down with immediate effect. Whenever the dial moves a notch, an ancient creature emerges from the box and kills someone that Adam cares about. Worse still, it transpires that the only one way to prevent this from happening, is to willingly pass the vessel along to someone else, thereby resetting the countdown. Adam is thus faced with an agonising dilemma. Either allow the timer to count down (and let the bodies pile up) or pass the terrible curse along.
This was originally published at Flickering Myth on 24th June 2017.
Whilst its international take is admittedly surpassing its domestic performance by quite some way, it is still reasonable to suggest that The Mummy hasn’t been the mega-hit that Universal were hoping for. Weighed down by astonishingly clunky exposition, countless instances of tonal whiplash and a certain high profile ego to contend with (not to mention that embarrassing PR blunder with the trailer audio), the film has been the deserving subject of bad word of mouth and a relentless onslaught of critical maulings. Suffice it to say, it has been something of a rocky journey for the first instalment in the fledgling ”Dark Universe”.