This was originally published at Flickering Myth on 3rd July 2017.
Star of the upcoming high concept sci-fi, The Jurassic Games, Katie Burgess is a promising new talent in the world of genre film-making, one who is definitely worth keeping an eye on. You can catch her now in this year’s horror thriller Gremlin, which tells the story of a family who are terrorised by an ancient creature residing within a cursed box.
I recently had the pleasure of asking Katie a few questions about her upcoming projects, as well as her experience working on Gremlin.
This was originally published on Flickering Myth on 25th June 2017.
When an estranged family member delivers a mysterious box to his house, Adam Thatcher initially thinks nothing of it. However, it soon becomes apparent that the metallic container actually has a clock engraved on it, one that begins ticking down with immediate effect. Whenever the dial moves a notch, an ancient creature emerges from the box and kills someone that Adam cares about. Worse still, it transpires that the only one way to prevent this from happening, is to willingly pass the vessel along to someone else, thereby resetting the countdown. Adam is thus faced with an agonising dilemma. Either allow the timer to count down (and let the bodies pile up) or pass the terrible curse along.
This was originally published at Flickering Myth on 24th June 2017.
Whilst its international take is admittedly surpassing its domestic performance by quite some way, it is still reasonable to suggest that The Mummy hasn’t been the mega-hit that Universal were hoping for. Weighed down by astonishingly clunky exposition, countless instances of tonal whiplash and a certain high profile ego to contend with (not to mention that embarrassing PR blunder with the trailer audio), the film has been the deserving subject of bad word of mouth and a relentless onslaught of critical maulings. Suffice it to say, it has been something of a rocky journey for the first instalment in the fledgling ”Dark Universe”.
Re-uploaded due to False Copyright claim
Excluding the distinctly farcical conclusion, this year’s Academy Award’s ceremony was mostly just business as usual. Excessive features, forced comedy, laboured political references; all present and accounted for. Over in the UK we even got the customary appearance of Alex Zane, who through his sheer presence managed to once again prove that the Schmidt pain index does not go high enough. On a whole it was a fairly by-the-numbers affair.