This was originally published at Metro on 26th July 2018.
It can be a touch disheartening to discover that a show you previously enjoyed has, in one way or another, gone off the rails. We’ve all experienced this letdown before: whether it was because a promising sitcom lost its edge (Community); an enticing drama grew too knotty and convoluted to follow (Heroes); or a good miniseries abandoned its integrity for the sake of a hasty sequel (True Detective).
This was originally published at The Edge SUSU on 7th July.
By now it’s been almost universally accepted that True Detective’s sophomore season has struggled to step out of its predecessor’s shadow. Which is fine, after all those are some pretty big shoes to fill. Nevertheless it can’t be ignored that season 2 has had some teething problems, even when taken on its own merit. The pacing has at times been tortuously slow, the monologues have ranged from pretty good to downright abysmal, and the central storyline has failed to really grab in the way that it needs to. Continue reading