Review: Outlast 2

Following in the footsteps of Outlast’s grotesque depravity was always going to be a tall order.

Continue reading

Advertisements

Review: The Great Wall

When you first hear the positively absurd premise for The Great Wall, your mind will naturally jump to one-of-two disparate conclusions. Either it will be so-bad-that-it’s good, or it will be a great, albeit batshit crazy, popcorn flick. There’s seemingly little room for anything outside of that binary. After all, this is a film about Matt Damon as an Irish (I think) mercenary teaming up with an army of colourfully attired, bungee jumping power-ranger lookalikes, in order to battle mythical lizard creatures that are trying to scale the Great Wall of China. I’ll give you a second to re-read that crack-pot rambling. Go on. Take your time.

One can only assume that this is loosely adapted from a collection of incoherent delusions, found scrawled upon an asylum wall in the author’s own shit. Which sounds promising as hell to me! Oh and it also has Willem Dafoe in it! So how can this be anything but majestically entertaining?

Continue reading

Halloween Gaming Recommendations: Part 2- Alan Wake

This is part of a special Halloween feature that will provide a brief overview of the horror genre, with different recommendations for every type of player. You might notice that the games in this series tend to get pretty good ratings. There are two reasons for this. 1) I’m partial to the horror genre, it happens to be my favourite in gaming. 2) This is a feature of games that I would recommend, therefore they’re bound to be scored highly. In this entry, we’ll be taking a look at Remedy’s love letter to Stephen King, Alan Wake Continue reading

Soundtrack Review (Flashback): 50 Shades of Grey

50 Shades of Grey is one of the laziest blockbusters of all time, to the point where I would consider it the very antithesis of art. Very few films get so many things wrong; from casting, to writing, to production design and even basic story structure, and yet this dross still remains a critic-proof hit. Everyone involved with the project ought to be ashamed of themselves, especially composer Danny Elfman, who really should have known better. Continue reading